We're Not Out of the Woods Yet
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Try a sample first!
Calling all patchouli people, amber adorers, and forest voyagers – your bounty has been found. An otherworldly rich potion of smoky green, dense earth, and comfortingly stony woods. Mitti Attar, a distillation of clay and sandalwood, offers earthy minerality to creamy sandalwood and mixes with pungent patchouli in all its musty, leathery green, hippie glory. The smoldering, verdant wood of vetiver deepens this elixir even more, causing it to snake through the air just like a sultry smoke coil. A foggy, rained-on forest full of secret spells, dense as the ground it all grows from, why would you want to find your way out of these woods?
The Notes
Notes include patchouli, vetiver, Indian mitti attar, amber, musk and apricot.
The House
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Try a sample first!
Calling all patchouli people, amber adorers, and forest voyagers – your bounty has been found. An otherworldly rich potion of smoky green, dense earth, and comfortingly stony woods. Mitti Attar, a distillation of clay and sandalwood, offers earthy minerality to creamy sandalwood and mixes with pungent patchouli in all its musty, leathery green, hippie glory. The smoldering, verdant wood of vetiver deepens this elixir even more, causing it to snake through the air just like a sultry smoke coil. A foggy, rained-on forest full of secret spells, dense as the ground it all grows from, why would you want to find your way out of these woods?Notes include patchouli, vetiver, Indian mitti attar, amber, musk and apricot.
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We've met a lot of people in the perfume world, and Sarah McCartney of 4160 Tuesdays is one of our very favorites. Want to know why? Sarah, in her own words:
"As a little girl, I did not make perfumes from rose petals. That was for softies. I made magic spells and wanted to be a witch when I grew up. When I was 16 I bought a bottle of Diorella. I studied maths and sciences, practised music and French, wrote books on brands and their evil twin—counterfeiting—and online marketing, and learned to dance Argentinean tango.
"For 14 years I was the head writer for Lush while the company grew from four shops—one in Poole and three in London—to 700 worldwide. I was writing 50,000 words every three months for the Lush Times, aiming to encapsulate the products' scents in their descriptions. During that time, I bought and read 200 books on essential oils and herbalism and learned the essential oils the founders gave me to educate myself.
"At the end of the 14 years, I took some time off to write a novel featuring a problem-solving perfumer. In it, I described the scents that she made and I wanted to have them available for people to smell. So I set off on a quest to see if I could buy them. This turned out to be impossible - and pretty expensive - because no one was making exactly what I wanted, so I started another quest to see of I could make them instead. Of course that turned out to be even more difficult, but once I'd started, I just kept going. 4160 Tuesdays perfumes is the result."
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