Clouds Illusion
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Try a sample first!
One of four perfumes in the Clouds series (and yes, it is indeed the Joni reference you think it is), the goal for this one was to make it the most affordable and accessible, showing you don’t have to use overdoses of mega-expensive flowers to make a perfume that still doesn’t skimp on the quality or beauty. Ethereal and atmospheric, the woody yet sparkling powder of orris is enveloped by cloudy-cool musks as honeyed hay and earthy green notes of narcissus flower float in between them. A gentle hint of vanilla slowly rises up and places an extra indulgent cherry on top of creamy sandalwood with a flourish. A little transcendence out of simplicity, something to spray when you want to drift away.
The Notes
Notes include citrus fruits, orange flower, orris, narcissus, musk and white chocolate.
The House
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Try a sample first!
One of four perfumes in the Clouds series (and yes, it is indeed the Joni reference you think it is), the goal for this one was to make it the most affordable and accessible, showing you don’t have to use overdoses of mega-expensive flowers to make a perfume that still doesn’t skimp on the quality or beauty. Ethereal and atmospheric, the woody yet sparkling powder of orris is enveloped by cloudy-cool musks as honeyed hay and earthy green notes of narcissus flower float in between them. A gentle hint of vanilla slowly rises up and places an extra indulgent cherry on top of creamy sandalwood with a flourish. A little transcendence out of simplicity, something to spray when you want to drift away.Notes include citrus fruits, orange flower, orris, narcissus, musk and white chocolate.
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We've met a lot of people in the perfume world, and Sarah McCartney of 4160 Tuesdays is one of our very favorites. Want to know why? Sarah, in her own words:
"As a little girl, I did not make perfumes from rose petals. That was for softies. I made magic spells and wanted to be a witch when I grew up. When I was 16 I bought a bottle of Diorella. I studied maths and sciences, practised music and French, wrote books on brands and their evil twin—counterfeiting—and online marketing, and learned to dance Argentinean tango.
"For 14 years I was the head writer for Lush while the company grew from four shops—one in Poole and three in London—to 700 worldwide. I was writing 50,000 words every three months for the Lush Times, aiming to encapsulate the products' scents in their descriptions. During that time, I bought and read 200 books on essential oils and herbalism and learned the essential oils the founders gave me to educate myself.
"At the end of the 14 years, I took some time off to write a novel featuring a problem-solving perfumer. In it, I described the scents that she made and I wanted to have them available for people to smell. So I set off on a quest to see if I could buy them. This turned out to be impossible - and pretty expensive - because no one was making exactly what I wanted, so I started another quest to see of I could make them instead. Of course that turned out to be even more difficult, but once I'd started, I just kept going. 4160 Tuesdays perfumes is the result." Read more about 4160 Tuesdays on our BLOG.
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